September 15
2017

Talent Spotlight: Pascale Lemaire

 

Pascale is a well known wardrobe stylist in the DMV area. Originally from Haiti, she has been with T•H•E for over 29 years.


Photo by Francesca Gaudio

It all started when Pascale Lemaire decided to get a degree in fashion design from the University of Maryland. In her senior year, on the verge of deciding which direction to take next in her career, she attended a guest lecture given by a New York Stylist. She was immediately smitten! Identifying instantly with the world of styling, she knew immediately that her future was in fashion styling rather than design.

“Forget the designing! I’m going to become a stylist! You get to play with the clothes, you give them back, and you don’t have to make them yourself.”

After winning the Betty Ford Scholarship from Fashion Group International, Pascale accepted a fashion internship with The Washington Times newspaper. Pascale worked in Milan, Italy with WWD Italia and Magleria Italiana – a luxury knitwear magazine – before becoming a freelance fashion stylist for The Baltimore Sun newspaper. After years of experience, she became Fashion Editor of Baltimore Magazine.


Washington Bride & Groom Summer/Fall 2014: Double Vision Creative: DESIGN ARMY Photography: Dean Alexander Styling: Pascale Lemaire, T.H.E. Artist Agency Hair & Makeup: Dean Krapf, T.H.E. Artist Agency Design Army LLC

Her vast array of celebrity clients include Sam Donaldson, Sugar Ray Leonard, former Secretary of State Colin Powell, Michael Phelps, Mia Hamm, Chef Carla Hall, and Jill Biden.

Editorial with Capitol File – Wardrobe styling by Pascale Lemaire – Wardrobe assistant Deborah Mdurvwa – Hair/Makeup by Connie Tsang

 

Her years of expertise have also afforded her the opportunity to style for top-tier publications from, The Washington Post magazine, O Oprah magazine, Washingtonian, The Baltimore Sun newspaper, Vanity Fair magazine, and The New York Times magazine.


Portrait shot in Whitby England | Cade Martin Photography | Hair and Makeup/Dean Krapf/THE |Creative: David Calderly/ Graphic Therapy | Model: Kate Potter

The giant Teddy bear was borrowed from THE Vice President, Elizabeth Centenari. Shot on location at Glen Echo Park. Washingtonian Bride & Groom editorial. Photography: Cade Martin. Hair/Makeup: Dean Krapf/THE. Creative: Design Army.

Her antique 1860’s “Gibson Girl” bodice and waist coat worn for a photo shoot for Fashion Fights Poverty. Photography: Noel Sutherland. Location: Carriage House Farm. Hair/Makeup: Dean Krapf/THE.

So what does it take to be a wardrobe stylist? No one better to tell us than Pascale herself!

“Most people have no idea what a stylist is. A stylist is the glue that holds everything together.”

According to her, it’s similar to the role of the costume in a film. In other words:

” A good stylist is one who understands the art director’s Braille, and knows what will tell the perfect story in a photograph.”

Usually, the stylists are the first to be approached by the art director when organizing a photo shoot. They are responsible for understanding the vision expressed on the mood board and bringing it to life.

“The best compliment is if the art director shows you a mood board of what they’re trying to achieve and when you look at the finished image, the two are exactly the same.”

A piece of advice:

“You need to have to have a keen sense of style to be a stylist. Anyone can call a showroom and get an outfit with all the components and dress someone head- to-toe per the designer’s instructions. You’re a dresser, not a stylist. If you can take vintage and other lower end items that aren’t expensive because your client is on a budget, and make that look like a million bucks, then you’ve earned your keep!”

Styling is truly an ephemeral gift. You have to possess the uncanny ability to see things in a very abstract way, keep them compartmentalized, while seeing the final results in your head, gathering items from 70 different places. Most people think stylists get to dress people in their favorite clothes. WRONG!

“Just because I love bright colors, doesn’t mean I will dress my clients that way.”

Being a good stylist is a tumultuous tightrope walk between perfection and chaos.

“We are magicians, master multi-taskers, mind readers, and trapeze artists all rolled into one. We turn water into wine.”

To conclude, it’s important to be organized and to know how to improvise.

Pascale told us exclusively about some of her best stories styling on location. Watch the video above!

Talent Spotlight
December 3
2016

Classic Glamour


 

 

“Furs and shimmering evening wear prove the perfect pairing for a holiday getaway to the Greenbrier, where tradition reigns supreme.”

PHOTOGRAPHY:

WARDROBE: Deborah Mdurvwa

MAKEUP & HAIR:

MODEL:

EDITORIAL DIRECTION:

SHOT ON LOCATION AT THE GREENBRIER

Work
September 3
2016

Blurred Reality

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Cirque performers, acrobats, and contortionists decorate the pages of Blurred Reality, but the most curious of characters, model Magi Tareke, steals the show right off the paper.

Outfitted by stylist Stara Pezeshkian in designers from Yves Saint Laurent to Alexander McQueen to Carolina Herrera to Escada, Magi, of course, has glamorous gems, jewels, and precious metals to match from Chanel to Roberto Coin to Brian Atwood and to Liljenquist & Beckstead.

This spread recreates scenes and emotions from fairy tales we grew up with all the while incorporating a darker sense of magical mystery and style similar to steampunk.

Model Magi Tareke brings you into the work of KURIOS and lets your imagination loose into the quixotic world of Cirque du Soleil.

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Fashion: Blurred Reality

“Set your imagination free and take a fairytale journey, complete with gowns and evening wear to reveal the curiosities of Cirque du Soleil’s ‘KURIOS.'”

Washington Life

Photographer: Kate Warren

Photographers Assistant: Keith Lane

Styling/Creative Direction: Stara Pezeshkian assisted by Jocelyn Minich | T H E Artist Agency

Makeup and Hair: Patti Nelson assisted by Lexi Martinez | T H E Artist Agency

Model: Mearg “Magi” Tareke | T H E Artist Agency

Cirque Du Soleil Head of Props: Jo Evans

Cirque Du Soleil Artistic Assistant: Dawn Wilson

Editorial Direction: Catherine Trifiletti

Editorial Assistant:Meghan Moriarty

Photographed on set of Cirque du Soleil’s “Kurios” playing under the big top at Tyson’s Corner through September 18 |  www.cirquedusoleil.com/kurios

Work
May 17
2016

Jetsetters

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Jetsetters

“Classic trenches and monochromatic ensembles rule the jetways this spring, so grab your designer luggage and let us take you up, up and away”

Washington Life

Photographer: Kate Warren 

Models: Flavia Dias and Jacqueline Akoko at T•H•E Artist Agency

Wardrobe: Thea Washington at T•H•E Artist Agency

Hair and Makeup: Carola Myers

Hair and Makeup Assistant: Shirley Z

Editorial Direction: Catherine Trifiletti

Location: Grandview Aviation in Baltimore

 

Work
April 10
2016

Night at the Wax Museum

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Night at the Wax Museum

“Glamorous gowns and diamond-encrusted jewels shine for their audience of waxwork presidents, providing certain inspiration just in time for the White House Correspondents’ Association Dinner.”

Washington Life

Photographer: Tony Powell

Photographers Assistant: Stephen Kim

Wardrobe: Chaza Betenjaneh at T•H•E Artist Agency

Hair and Makeup: Carola Myers

Hair and Makeup Assistant: Shirley Z.

Model: Irina Bartell at T•H•E Artist Agency

Location: Madame Tussauds 

Work
March 23
2016

La Dolce Vita

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La Dolce Vita

“This issue of The Georgetown celebrates the Italian lifestyle: La Dolce Vita. Perché adesso (why now?) No special reason needed; Italy looks large in American lives.
The history, cultures and fates of our two countries are intertwined, both in hugely important ways and in matters that we take for granted, things that have taken up permanent residence in our hearts, minds and habits.
What would opera be without the giant presence of the Italian composers, whose works warm the genre with boisterous energy and passion? What would cineastes do if they weren’t able to argue about Fellini and Antonioni? And where would American dining be without pizza and pasta and — since we’re become more sophisticated — risotto, agnolotti and crude (a term, if not a dish, said to have been invented by restaurateur Joe Bastianich)?
American history begins in the 17th century; in Italy, they start before Announcing Domini and run through Rome — the Republic, the Empire and the center of the Roman Catholic Church — and the Renaissance, the Baroque and all those periods from art history.
Columbus was in the employ of Ferdinand and Isabella of Spain, but he was a citizen of Genoa, and it was a Florentine fellow named America for whom the New World was named. Centuries later, waves of Italian immigrants brought their innumerable talents, contributing to America’s progress through their own striving.
Italians have tread a remarkable path here, becoming Americans without giving up the essential nature of who they are and who their ancestors were. They replicate their communal gatherings and remind us of the presence of the church in their history and lives. And every such occasion is replete with tradition and with the celebration of the familial ties that bind.
Here in D.C., Holy Rosary Church, the “national Italian parish,” was established in 1913. Statues of Dante, Michelangelo, Verdi and Marconi adorn the facade of its Casa Italiana, where language classes and cultural programs are held. On April 3, Holy Rosary will host a Festa della Vendemmia wine tasting and a mass in honor of Maria SS. Annunziata, organized by the Society of Fiumendinisi of Messina, Sicily.
To stay connected all year round to Italian events (and perhaps learn the language), visit the websites of the Casa Italian at casaitalianaschool.org, the Institute Italiana di Culture at iicwashington.esteri.it/IIC_Washington/it and the Italian cultural Society of Washington, D.C., at italianculturalsociety.org”

The Georgetowner

Photographer: Angie Myers

Models: Brett McAnney and Gabriella Bianchi at THE Artist Agency

Hair and Makeup: Lori Pressman at THE Artist Agency

Wardrobe: Chaza Betenjaneh at THE Artist Agency

Production Assistants: Haley Sanchez and Lexi Rodencal

Location: Via Umbria

Work
March 23
2016

Dress for the Occasion

T•H•E’s model Belle Shickle graced the cover of The Georgetowner along with stylist Chaza Betenjane and hair & makeup artist Lori Pressman. The March editorial, entitled “Dress for the Occasion”, details how to dress for the city’s acclaimed opera, ballet and visual arts events.

Photographer Angie Myers captured the essence of the Washington National Opera rehearsal studio while showcasing today’s fashion and beauty.

You can check it out here:

georgetowner

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Dress for the Occasion 

The Georgetowner

“This issue’s art preview focuses on opera, ballet and other upcoming performing and visual arts highlights. Following these fashion suggestions will assure that some eyes will stray from the stage to members of the audience. “

Photographer: Angie Myers

Model: Belle Shickle at T•H•E Artist Agency

Hair and Makeup: Lori Pressman at T•H•E Artist Agency

Wardrobe: Chaza Betenjaneh at T•H•E Artist Agency

Location and Props: Washington National Opera Rehearsal Studio

Work
February 10
2016

Love is in the Air

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Love is in the Air

“Show a little skin this Valentine’s Day with these stunning shoulder-baring dresses and accessorize with a dapper dude in form-fitting menswear.”

Washington Life Magazine

Photographer and Digital Creative: Tony Powell

Photographers Assistant: Ernesto Sandoval and Stephen Ken

Creative Consultant: Lynda Erkiletian at THE Artist Agency

Wardrobe: Apuje Kalu at THE Artist Agency

Wardrobe Assistant: Chaza Betenjaneh at THE Artist Agency

Hair and Makeup: Lori Pressman at THE Artist Agency

Manicure: Angela Turner

Models: Isabela Fernandez and Casey Dobyns at THE Artist Agency

Managing Editor: Laura Wainman

Associate Editor: Erica Moody

Editorial Assistant: Aubrey Almanza and Claire Handscombe

Location: The Ritz Carlton and Georgetown

Work